The Girl with the Dragon Tattoo (Millennium #1) by Stieg Larsson

 

Date finished: 7 April 2015

Swedish crime novels are not something I have much experience with, but I very much enjoyed The Girl with the Dragon Tattoo. I didn’t intend to read it when I did, I just happened to see it in my school library and decide to give it a go. I thought it might be a bit violent and have more adult themes than I’d be comfortable with, but that isn’t the case. Clearly this is not for a younger audience and I wouldn’t want to know about kids under 16 reading it, but I didn’t find it as gruesome as I’d expected.

The writing style is quite difficult to read, enough that I struggled to get into the book at first, but after a while I got used to it. The writing is complicated and confusing to begin with, but after a few chapters I got the hang of it and found myself captivated. Even if the style is heavy and makes this book hard to read – it took me a week to get through, and not only because the book is 533 pages long – the story itself is so gripping that it’s unputdownable.

The plot is unlike anything I’ve read before. There are lots of twists and turns; just when one thing gets solved, something else happens to complicate it even more. The storyline is very original, even though from the blurb it sounds like just another unwilling-male-ends-up-solving-crime-with-female-sidekick plot. The crime the protagonist, Mikael Blomkvist is hired to solve, the disappearance/murder of Harriet Vanger forty years ago, ends up much bigger than the characters or you as the reader expect, and solving it is an epic adventure in itself. Then there’s the other storyline about his rival and how Blomkvist triumphs in the end (I don’t want to spoil it for you, but it is a great victory).

The characters are fascinating, especially Lisbeth Salander, who is a very flawed and unusual character. At first I only liked her because she’s one of the main female characters, but she grew on me, especially since she gets wicked revenge on Bjurman, her rapist, but also because she gets just as involved in investigating the crime as Blomkvist. I think she’s the most original part of the book, she’s just that interesting. I especially like her character growth – she warms to Blomkvist during the novel, especially at the end (but that would be spoilers!) without losing her edge. She’s not your usual heroine, which is what I love about her.

I also liked Blomkvist, the protagonist. He’s a fleshed out, realistic character whose past is not that of your usual hero – it’s neither overly shadowed nor ridiculously innocent – but he’s still likeable because he has his own reasons for doing things but also has a moral code. Even though he’s a forty-something financial journalist, I was able to relate to him more than Salander, the young hacker who hates and distrusts everyone.

The main setting, Sweden, was new to me, and therefore refreshing. However, some cultural things got in the way of my reading, such as the currency – I had no idea how much a million kronor is, for example – and place names I couldn’t pronounce. Normal things like this took away from my enjoyment of the novel, as they were just too foreign.

There are some mature and/or disturbing themes in this book, such as misogyny, polyamory, rape, and sadism. These things aren’t generally all included in the same book, but they provide the basis of The Girl with the Dragon Tattoo and give it depth and darkness. I feel that the school library should probably have put a stamp inside the cover, warning that it’s suitable for a more mature audience. Just because I was fine with reading about these things, doesn’t mean other people my age or younger would be.

Although this book didn’t immediately hook me, after persevering I just had to finish it, and I appreciated the rollercoaster it took me on. If you want something dark and original to read, I would recommend The Girl with the Dragon Tattoo. I’ve never read anything like it, but I enjoyed it enough to want to read the next book in the series now.

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Maya's Notebook by Isabel Allende

Date finished: 19 March 2015

Although she's a bestselling author, the only reason I've heard about Isabel Allende is because she was mentioned in Spanish class a couple of times last year and the year before. About a month ago I was looking for Hispanic writers to read, and remembered her name and looked up her books. This one sounded alright, so I picked it up from the school library and gave it a go. I found myself liking it more than I expected.

Maya's Notebook is a beautiful story about grief and healing, but also a dark tale about addiction and crime. The contrast between Maya in Las Vegas and Maya in Chiloé at the end of the novel shows amazing character development as well as healing, and seeing her get better throughout the novel fills you with hope that while life can get bad, with time and effort and the love of others, it will improve.

There are lots of fantastic quotes about life and love, such as

Life is a tapestry we weave day by day with threads of different colours, some heavy and dark, others thin and bright, all the threads having their uses.

and

It doesn’t matter who we love, nor does it matter whether our love is reciprocated or not or if the relationship lasts. Just the experience of loving is enough, that’s what transforms us.

This novel is very slow-paced and I struggled to get through it at first. I very nearly gave up on it, exhausted by the long paragraphs and lack of variation in sentence length, but I persevered. Once I got through the first 30 or 40 pages, it got easier to read and even became enjoyable. Even though there is little in the way of action, Maya's Notebook is still a good read and I ended up really liking it.

I thought the structure was quite effective. Usually I'm not a fan of flashbacks, but because there are two stories being told linearly, one in the past and one in the present, it worked and I liked slowly uncovering the story of Maya's past, how her life gets worse and worse, while in the present she makes progress towards getting better.

The setting is what initially interested me. I've always wanted to go to Chile, and learning about Chilean/Chilote culture was fascinating. I had no idea what Chilean life was like, so this book opened my eyes to the reality of it. I grew up in a tiny, isolated place too, but it was nothing like Chiloé, so seeing how the community in this novel works together was lovely.

The first person point of view made me sympathise with Maya, which was good because I don't think I would have, otherwise. I cannot relate to Maya in any way, but I cared about her, feeling sorry for her when she was at her lowest in Las Vegas and wanting her to heal and be safe in Chiloé.

While it is slow-paced and long, this book is not at all boring, and the characters and relationships, rather than gripping plot, are what plays an important part in the story. I highly recommend Maya's Notebook to anyone wanting to read about Chile and what it takes to move on from the past. I know I'll be picking up other Isabel Allende books, after reading this one.

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The Song of Achilles by Madeline Miller

 

Date finished: 11 March 2015

I'd been meaning to read this book for about a year, ever since I did a Classics internal on The Iliad vs Troy (2004) in Year 12, and I'm very glad I finally read it. Doing this study meant that I knew the story - and loved it - so I hoped that I would also love The Song of Achilles. And I did.

I knew the basics of what would happen (I won't give away any spoilers, even though the story is thousands of years old) but this book focuses on Patroclus, a character we don't get to see much in the original story, and gives him a background, which is new and interesting. I adored seeing his relationship with Achilles develop, and there were plenty of moments that made me fangirl. There is a tonne of foreshadowing, which I kept picking up on and almost crying over. *Spoiler alert* Even though I knew what was going to happen, I kept thinking, "Maybe Patroclus won't die this time," but it happens so fast that I was not at all prepared. I don't know how to describe the plot other than epic and tragic, and I loved how the author breathed new life into characters who have been around for a hell of a long time. (That's true immortality, I think - that we still remember the names of and care about Achilles and Patroclus in the 21st Century - even though they die.)

The writing is beautiful. It flows very well and is easy to read. It's the kind of simplistic style that anyone can read and enjoy, and I loved the description and dialogue. As the book is written in the first person, we only get one character's perspective, but it's okay because it's a character we don't know much about compared to some of the more famous characters like Achilles, or Helen of Troy (*cough* Sparta!). To retell an age-old myth, emotive language is needed to give the novel some originality, and Madeline Miller succeeds in doing this.

When I first learnt about The Iliad and the Trojan War, my favourite characters were Achilles and Patroclus. As they are the main characters of this book, that remains the case. Their characterisation in this novel is fantastic and, well, there's no other way to say this, but I ship them so hard! They are complete opposites, hero and antihero, and their relationship really makes you think about friendship and love and fate. They treat each other as equals, even though all the other characters think of Patroclus as a disgrace, an exile, unworthy of Achilles, but they love each other for eighteen years, and in the end they don't get the happy ending we want for them, which breaks the heart.

There are strong themes in this book that also bring out the emotions. Love and sacrifice are important, as is the concept of heroism. At one point, Achilles says, "Name one hero who was happy," and I think that quote is just the saddest thing. In this book, we know that Achilles is fated to be a hero, and he is one, but we don't know if he, or Patroclus, is ever truly happy. Like I said, this story is tragic.

In summary: This book killed me. It broke my heart with every bit of foreshadowing, and the last few chapters just hurt my soul. And I loved every minute of it, masochist as I am. If you are a young Classics nerd like me or just a lover of male/male relationships, you must read The Song of Achilles. It will break you and you'll thank the author for doing so.

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The Jewel (The Lone City #1) by Amy Ewing

 

Date finished: 22 December 2014

I wouldn't say this book was bad, but I didn't enjoy it. I just got frustrated and couldn't see any good points. I only picked it up because my mum gave it to me and said it's meant to be good, but it was a waste of time for me.

Okay, the good: The cover. The Jewel has a beautiful cover. So much so that I didn't want to take it with me on holiday because I didn't want to ruin it. Looking at the gorgeous cover lures you into wanting to read it.

Now, the bad. First things first: I cannot stress enough how sick I am of dystopian. This story could be set in a fantasy or sci-fi world and still work, but no. It has to be dystopia. Because that's what all the popular books are these days. And I'm tired of it. Every author wants to write the next Hunger Games or the next Divergent, and if every one of them did that, there would be no original stories anymore.

The worldbuilding is problematic. Why do they have to be protected from the ocean? Why is the city in that particular shape? Who is the government/in charge? (If it's the Exetor and the Electress, that needs to be made clearer.) Why the hell do the Augeries exist? If the surrogate/Auction thing has been going on for so long and the surrogates are brought up knowing what they have to do, why do they question it? See, I love a good revolution, but there seems to be no reason for them to rebel against what they have known for years will happen to them, when they have already accepted it. And there aren't exactly revolutionaries (that we are aware of) spreading their propaganda. These questions could be answered in the next book in the series, but if there's going to be some big reveal, then there should be more emphasis on what we do know.

I honestly couldn't understand why Violet hated the Duchess so early on. She seemed to be a fair mistress, and Violet was lucky to be sold to someone who isn't as cruel as the other royal women. I think it would have made sense for Violet to like the Duchess at first - then when she found out what the Duchess expected her to do in regards to enhancing the baby, there could have been some big betrayal and their relationship could break down.

Oh yes, there is also the problem of insta love. Violet falls in love with Ash because... why, exactly? Because he's hot? Because he likes music too? Because she thinks he's like her - trapped? So is everyone else in the city! This infuriated me. I think he could have been a cool character, if they hadn't fallen for each other at first sight. It's a shame, because he had potential to be awesome.

Somehow, the writing annoyed me. It was too...polished. Too perfect. That probably doesn't make sense, because writers spend a lot of time making sure their novel is perfect. And yet, in The Jewel it just doesn't seem genuine. Maybe I simply didn't like the style it's written in? Maybe I didn't like the protagonist's voice, if she even had one? I can't explain it.

As a recently self-diagnosed tokophobic, I could at least empathise with Violet's desperation to not get pregnant and carry the Duchess's baby. The whole surrogacy thing made me uneasy, and all I wanted was for her to get out of there. I'm not sure if that was sympathy for Violet, though, or my own anxiety speaking. But I hated that she didn't get free yet. Also, the twist at the ending infuriated me! I like Garnet, and I want to know more about his involvement in Violet's escape, but I also don't want to read the next book.

Anyway, I had a lot of problems with this book. The ideas were good, they just weren't executed well. I didn't like it, but I didn't hate it either, thus the two star rating.

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Panic (Panic #1) by Lauren Oliver

Date finished: 14 December 2014

When I first read the blurb of this book I was a little wary of the "new alliances, unexpected revelations, and the possibility of first love for each of them" line, but I was pleasantly surprised when the book turned out to be original and unclichéd, and found myself liking it more than I'd expected.

I loved how the book took me on a rollercoaster with its twists and turns, leaving me guessing as to what would happen next. I knew from the moment the tigers were introduced that they would have something to do with the climax of the novel, but I had no idea what. I also felt anxiety when Nat told Heather to drive Dodge's car for the final challenge at the end, knowing just how that would endanger Heather. I didn't expect the winner (I won't spoil it for you) to win, so that was a nice surprise. The feeling of suspense you get throughout the novel makes it hard to put down once you start reading, and that is the first sign that any book is a good one.

The whole concept of this game, "Panic", where these teenagers risk their lives in a series of challenges over the whole summer in order to win a huge amount of money is a creative one. It's not like The Hunger Games, where the tributes have no choice but to participate, and have to kill their opponents to win. In Panic, the players have all decided to play for their own reasons - usually the money - and they all know each other. It's just as ruthless, but there are legal issues and it's not publicised. So no, Panic is not just another Hunger Games, and I think it is actually better. The fact that this book only came out this year and the film rights have already been sold to Universal just goes to show how great it is. And it will make a fantastic movie - you'll feel for the characters, despise the antagonists, and be kept in suspense.

The writing itself is pretty good, too. It's nothing special, but it's clear and descriptive enough that you can picture what's going on, and it gets the message across. Lauren Oliver doesn't show off by using fancy language features when the story itself is interesting enough and doesn't need to be embellished.

The characters all had their distinct personalities and goals, which was a bonus. I sympathised with Heather, wishing she could leave Carp behind, and Dodge, wanting to get revenge for his sister, was also believable. Heather and Dodge had surprisingly similar problems with their families, and from the blurb I first thought that they would get together. Thankfully, that was not the case, and it was made clear early on that they wouldn't happen. They both get their happy ending, though - that's what matters.

Overall, Panic is a great new YA novel and I enjoyed it a lot. I would recommend it to anyone who likes YA fiction but is sick of the dystopian genre and the usual trope of the two leading characters ending up as a couple. Take it from me, and pick it up!

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Innocent Darkness (The Aether Chronicles #1) by Suzanne Lazear

Date finished: 10 August 2014

Steampunk and faeries - two things that interest me and the two things that made me read this book. These elements wouldn't normally go together, but in this novel they do. And they complement each other. The concept is a fantastic one, literally.

I liked Noli as the heroine, since she is the average "strong female character" that is found in most YA books, but she wasn't a walking cliché, like so many are. She's just a really cool girl, the type you want to hug and be friends with. And I appreciated that. From the cover, I was worried that the book might be a bit crap, with an intriguing concept and a boring protagonist, but that was not the case. As well as Noli, I also liked V and Charlotte (although her character was a little clichéd) and sympathised with Kevign. With characters I liked, I thought I was going to enjoy this novel very much.

The plot was also quite good. It was unpredictable and made me want to read more. However, it could have done with more hints and twists to make the book really stand out. I think that would have been an improvement. The book was a little long and not too much happened, as there was so much description and analysis of emotions of the characters. I think there should have been less of that and more foreshadowing and giving hints about who certain characters are, for example, Queen Tiana. It would have been much more exciting for the reader to put the pieces together and realise that she is V's mother, instead of being told.

The writing itself was pretty average, and there were a few editing mistakes or typos. I wasn't wowed by the author, which would have been okay, except that she did too much telling and not enough showing. I know that that is difficult to do, but it doesn't hurt to try. As I mentioned earlier, there was a lot of description, which is fair enough for a book with a fantasy setting, but I felt like there was too much. I'm more of a dialogue and action person, myself. And the inner monologues - I don't mind them in general, but I felt, especially towards the end of the book, that they got repetitive. We don't need to know everything about the characters. They are allowed to keep their secrets and remain mysterious even to the reader! Oh, and sometimes the language was too modern - I saw "guys" and "okay" used between more authentic terms, when the book is set in 1901, albeit an alternate 1901. I think the author was too worried about the plot and setting to put more effort into her style and accuracy, which is a shame, because this book could have been worth four stars, if the writing were better quality.

All in all, Innocent Darkness is a good book, but not a great book. It's interesting enough, but doesn't have the wow factor to get a higher rating from me. If you like steampunk and/or faeries, as I do, and want to read something that follows the girl-accidentally-wakes-up-in-another-world trope without being clichéd, you should read it. Just don't blame me if you don't love it.

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The Watch That Ends the Night by Allan Wolf

 

Date finished: 15 June 2014

This book took me a long time to read, but it was definitely worth it. I can't remember when my interest in the Titanic began, but it was more than a few years ago, and since then I've only read a few novels about it. I've seen Titanic twice, naturally, but I haven't come across that many YA books about it.

The Watch That Ends the Night is an incredible verse novel with fascinating characters. Obviously, since we all know what happens, and it happens it such a short period of time, the book is character-driven, with 25 different character perspectives (including the iceberg and the ship rat). Each character has his or her own unique voice, and although it is written in verse, it reads almost like a normal novel, which I love. I think my favourite characters to read about were the crew members, since usually you only get to read about/see the passengers.

The writing in this book blew me away. It flowed really well, and the ideas and thoughts at the end of one character's part segued into the start of the next character's. The imagery was amazing and I could see the lives of the characters clearly in my mind. On the inside cover it claims "Allan Wolf offers a breathtaking, intimate glimpse into the lives of two dozen passengers and crew, told with astounding emotional power". That's absolutely correct. It's very emotional (especially in the last two chapters) and intimate, as you see the private thoughts, hopes, and plans of the individuals.

Not only was this extremely well-written, but the author did a hell of a lot of research too. You can see in what I call the appendices (they're not really, I'm just gonna call them that) all the resources he used to get things historically accurate. Now that takes patience. He deserves a round of applause just for taking the time to do such thorough research. Whew.

In short, The Watch That Ends the Night is a wonderful book and if you like a) interesting characters, b) the Titanic, or c) a book that will make you question humanity, you must read it!

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Sense & Sensibility (The Austen Project) by Joanna Trollope

 

 Date finished: 21 May 2014

Sense & Sensibility is my favourite of the Jane Austen novels. (I've read all of her works and I'm only sixteen. Just putting it out there.) I just love the contrast between Elinor and Marianne, and the bitch that is Lucy Steele, and the awkwardness when Elinor thinks Edward has married Lucy. I read the original three years ago - 200 years after it was published! - and thoroughly enjoyed it. I also enjoyed Sense and Sensibility and Sea Monsters (which is a hilarious adaption) and this modern version, which I read in two days.

What I love about this version is that the plot and the characters are more or less the same as the original, but it takes place in the modern world. Only it's a different world to the one I live in, as there are still aristocrats, and the rich have nothing better to do than marry, have children, and renovate huge houses. Even though this setting was foreign to me, I was still able to grasp how Elinor felt, as she is definitely the character the most like me (apart from Mags, of course).

Even though I already knew the plot, I still wanted to know how things would turn out, which is a very difficult thing for an author to do. I knew what was coming, most of the time, but where it mattered I was left guessing as to how that plot point would happen. I don't know if that makes sense, but even though I knew the story, this novel still had me hooked.

As for characters, Elinor and Margaret were the only ones I could relate to (although the others were fantastic too!). They're more sensible and realistic and down-to-earth. I absolutely adore them. It's funny that although my interests are more similar to Marianne's, personality-wise, I'm much more like Elinor. Marianne is a bit too theatrical, but I guess that's the point - she's sensibility, while Elinor is sense. Fanny and John Dashwood, Mrs Ferrars, the Steeles, and Mary Middleton were the characters you love to hate. They're meant to be selfish snobs, and you really feel for the Dashwood sisters when they have to deal with them. Sometimes I wish I were a character in a book, but I wouldn't want to have to have anything to do with those rich bitches.

The main thing that annoyed me about this book was the editing. There are lots of commas that are place after the quotation mark when they should go before it, which really pissed me off. Because it kept happening throughout the whole book. This is a published book - you'd think someone would check for correct punctuation! (Sorry, I'm a grammar nazi. Rant over.)

The writing was, for the most part, excellent. Although there were too many adverbs in places (hint: instead of writing "she held the guitar embracingly", try "she embraced the guitar"), and too many adverbs does annoy me and distract me from the story. If you can write the sentence without using an adverb, do so.

I would recommend this book to any Jane Austen fan, and anyone who likes a bit of drama. It's definitely worth the two days it took to read it.

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The Elites by Natasha Ngan

 

Date finished: 27 April 2014

Original review, ie. not posted on Goodreads

While I was reading this I thought that I'd only give it three stars, but then I finished it and decided that hey, it's original and unique, so why not give it four? Because, hello, it's a dystopian novel set outside America! And how many of those have you read? Okay, that little fact there might be the main reason that I liked it so much. Oops. But honestly, it is so refreshing to read something that isn't American, something that's written in proper English. 

I love the cover, which is usually what makes me pick up a book in the first place. Cover, title, author. (But not always in that order.) Anyway, yes, I like the background image and the girl dressed in awesome action-movie-type-clothes. And the font of the title. I'm a sucker for cool fonts. 

One of the best things about this book is that everything was resolved. There's no need for a sequel, because the author is good enough to get the conflict solved in one book. Most dystopian novels are in trilogies (Hunger Games, Delirium, Divergent, etc...) but the narrative in this one was fast enough to not need two more books afterwards.

One thing I didn't like so much was the lack of explanation of the setting. We don't find out much about what caused the other countries and cities to fall, and why Neo-Babel was the only one to survive. I would have liked to know, and I'm sure that one paragraph would have been enough to tell us.

I liked having a heroine who isn't white European. So many books have non-white supporting characters, but in how many is the actual protagonist a different ethnicity? So I enjoyed having the Chinese ("Red") Silver go through her struggles.

I thought the romance was sweet, although I kind of wish it had happened just a little bit later on. I guess I just love angst, and the thought of Silver and Butterfly shouting "I love you"s in the middle of an action sequence is me being a romantic.

I absolutely adored the ending. It was so powerful. Those three lines: Something bright. Something strong. Something precious. They're just perfect to end a book with. They highlight Silver's character and applaud her journey.

In conclusion, this book is definitely worth reading! I recommend it to all readers who love dystopian YA novels. It's fast-paced, thrilling, and there is rebellion and romance. Go ahead and read it.

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Of Poseidon (The Syrena Legacy #1) by Anna Banks

 

Date finished: 24 April 2014

This is one of those books that I read in 24 hours. I'm glad that it wasn't any longer than 320 pages, because I think that that would have made the book worse. The book wasn't terrible, but it wasn't brilliant either. From the blurb, I wasn't expecting much, which is a good thing as it turns out.

This book was like Ingo (by Helen Dunmore) for teenagers. I was going to say that it's a more mature Ingo, but if you consider how immature Emma (the protagonist) is, you can't say that it's a mature book at all. I always loved mermaids when I was little (at age six I apparently told my mum that when I grew up I was going to be a marine biologist and save the endangered mermaids) and are still vaguely interested in them today, at age sixteen.

The title is kind of misleading. With a name like Of Poseidon, you think of the Greek gods, not mermaids - sorry, Syrena. So that annoyed me a little. Especially since on the cover you can hardly see the Of bit.

Characters? Galen is intriguing. Toraf and Rayna are hilarious. Rachel is mysterious, and Emma is okay. But, ohmysweetgoodness!, for the protagonist I was hoping for someone more mature, someone who acts their age. Someone who doesn't act like a freaking twelve year old when she's eighteen. 

There are a lot of cliches in this book. The whole Half Breed thing, and one person in the couple not going to live as long as the other is so Lord of the Rings. The girl finds out she can hold her breath underwater for hours and talk to fish thing is so Ingo.  The girl dates other guy to get first guy jealous thing is so every American YA novel. The shark attack thing is so Soul Surfer. Sigh.

Recommendations: You know what? Ingo is better. For a good mermaid book, read that.

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